Cohesion in Native Poetry: An Analysis of English-Translated Tiv-Gbangi Oral Verses

Authors

  • Ayaga Terfa Godwin Plateau State University, Bokkos

Keywords:

Cohesion, Oral verse, Poetry, Tiv-Gbangi verse, Translation

Abstract

This paper seeks to establish the use of cohesive linkages in the Tiv oral verse. Some Gbangi songs by Pevikyaa Zegi, one of Tiv’s most famous living poets, artists and singersare purposively selected for analysis. Like the oral verse of most peoples of Africa, Tiv poetry is incorporated into the tribe’s way of life and deals with its day to day issues and problems of life (Jenkwe, 1998:1). The actual basis for meaning making in Tiv oral verse which also culminates into style is clearly demonstrated by the beauty with which language is used and the success attained in the experiment of using words, followed by the compatibility of language elements in exciting contexts. What qualifies Tiv poetry and gives it, its overall meaning and success is its independence on style. Cohesion of elements of language with the accompaniment of other figurative usages defines style in the Tiv oral verse. The study therefore, evaluates the lexical and grammatical devices which indicate connection between different units of the extracted texts translated for investigation. In doing this, the study adopts Halliday and Hasan’s (1976) theory of cohesion to support the analysis of the functions of connection in the texts. Halliday and Hasan contend that the main thing that determines whether a set of sentences or a piece of language do or do not constitute a text depends on the relationships which exist within and between the sentences which make up the text. They therefore, identify types of cohesion as reference, lexical, conjunction, substitution, and ellipsis. Our investigation reveals that different kinds of cohesion exist in the Tiv oral verse and are contributive of the exciting style achieved by the Tiv Poet. The study concludes that without the expanded systemicfunctions undertaken by cohesive usages in the text, what Halliday and Hasan call texture would not have been felt and the verses would have lacked solidity, organization, interconnection and interrelationship of language elements. With cohesion in the texts, a listener receives a system of information as indestructible continuum.

Author Biography

Ayaga Terfa Godwin, Plateau State University, Bokkos

 

 

 

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Published

2017-03-28

How to Cite

Terfa Godwin, A. . (2017). Cohesion in Native Poetry: An Analysis of English-Translated Tiv-Gbangi Oral Verses. Journal of The Linguistic Association of Nigeria, 20(1). Retrieved from https://jolan.com.ng/index.php/home/article/view/58